![]() ![]() ![]() In the 1980s and 1990s, overdriven bass was associated with hardcore punk, death metal, grindcore and Industrial bands.īass distortion is generally achieved by hard clipping of the bass signal, which leaves in "harsher high harmonics that can result in sounds that are heard as jagged and spikey. Overdriving a bass signal significantly changes the timbre, adds overtones (harmonics), and increases the sustain. ![]() In the 1990s and 2000s, fuzz bass was also used by indie and alternative rock bands. Created by a small and usually simple electronic circuit, fuzz bass tended to be a "warmer", "smoother", and "softer" overdrive-type sound caused by soft, symmetrical clipping of the audio signal which "round off the signal peaks" them and filtered out the harsher high harmonics. In the 1960s and early 1970s fuzz bass was associated with psychedelic music, progressive rock, and psychedelic soul/ funk styles. 100 Key-Labeled One Shots by Surge Sounds 808 Vol.1 is a free 808 pack by Surge Sounds, filled with 100 phat key-labeled 808 bass samples in a variety of different keys. Album or performance credits for fuzz bass can be found from every decade since. All sounds are inspired by the likes of OVO or Dreamville and suitable for different types of trap music. By the mid- to late-1960s, some bands listed "fuzz bass" in addition to "electric bass" on their album credits.
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